Monday, November 26, 2012

Judy is stationed on this side of the mast


Judy is stationed on this side of the mast, poised to push the centerboard down its slot; Harry sits awkwardly on the wet Fiberglas with his legs bent and one hand behind him on the tiller and the other clutching the sheet. His mind begins to assemble a picture of directional arrows, the shining wind pressing on the sail's straining striped height. Certain tense slants begin in his hands and fan out to the horizon and zenith. Like a scissors, Cindy had said, and a sensation of funnelled invisible power grows upon him. "Centerboard down," he commands, a captain at last, at the mere age of fifty?five. His scraped shin stings and his buttocks in his thin wet bathing suit resent the pressure of bald Fiberglas. His weight is so much greater than Judy's that the hollow hull tips upward in front. The waves are choppier, the tugs on the sail ruder, and the water a dirtier green than in his enhanced memory of that Caribbean adventure at the very beginning of this decade.

Still, his companion is happy, her bright face beaded with spray. Her thin little arms stick gooseburnped out of her matte?black rubber vest, and her whole body shivers with the immersion in motion, the newness, the elemental difference. Rabbit looks back toward land: Pru, the sun behind her, is a forked silhouette against the blaze of the beach: Her figure in another minute will be impossible to distinguish from all the others tangled along the sand, the overprinted alphabet of silhouettes. Even the hotel has shrunk in the growing distance, a tall slab among many, hotels and condos for as far as he can see in either direction along this stretch of the Florida coast. The power he finds in his hands to change perspectives weighs on his chest and stomach. Seeing the little triangular sails out here when he and Janice drove the shore route or visited their bank in downtown Deleon had not prepared him for the immensity of his perspectives, any more than the sight of men on a roof or scaffold conveys the knee?grabbing terror of treading a plank at that height. "Now, Judy," he says, trying to keep any stiffness of fear from his voice, yet speaking loudly lest the dazzling amplitudes of space suck all sense from his words, "we can't keep going forever in this direction or we'll wind up in Mexico. What I'm going to do is called coming about. I say ? I know it seems silly ? `Coming about, hard alee,' and you duck your head and don't slide off when the boat changes direction. Ready? Coming about, hard alee."

He is not quite decisive enough in pushing the tiller away from him, and for too many seconds, with Judy crouched in a little acrobatic ball though the boom has already passed over her head, they head lamely into the wind, in a stillness wherein the slapping of water sounds idle and he feels they are being carried backward. But then an inertia not quite squandered by his timidity swings the bow past the line of the wind and the sail stops impatiently luffing and bellies with a sulky ripple in the direction of the horizon and goes tight, and Judy stops looking worried and laughs as she feels the boat tug forward again, over the choppy, opaque waves. He pulls in sail and they move at right angles to the wind, parallel to the color?flecked shore. In their moment of arrested motion the vastness all around had transfixed them as if with arrows from every empty shining corner of air and sea, but by moving they escape and turn space to their use; the Gulf, the boat, the wind, the sun burning the exposed tips of their ears and drying the spray from the erect pale body hairs on their goosebumped arms all make together a little enclosed climate, a burrow of precise circumstance that Harry gradually adjusts to. He begins to know where the wind is coming from without squinting up at the faded telltale at the top of the mast, and to feel instinctively the planes of force his hands control, just as on a fast break after a steal or rebound of the basketball in the old days he would picture without thinking the passing pattern, this teammate to that, and the ball skidding off the backboard into the hoop on the layup. Growing more confident, he comes about again and heads toward a distant green island tipped with a pink house, a mansion probably but a squat but from this distance, and pulls in the sail, and does not flinch when the boat heels on this new tack.

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