“Written by our command, at our Castle of Garde Doloureuse, within the Marches of Wales, by a reverend priest, Father Aldrovand, a black monk of the house of Wenlock; and to which we have appended our seal, upon the eve of the blessed martyr Saint Alphegius, to whom be honour and glory!”
The voice of Father Einion faltered, and the scroll which he held in his hand trembled in his grasp, as he arrived at the conclusion of this epistle; for well he knew that insults more slight than Gwenwyn would hold the least word it contained, were sure to put every drop of his British blood into the most vehement commotion. Nor did it fail to do so. The Prince had gradually drawn himself up from the posture of repose in which he had prepared to listen to the epistle; and when it concluded, he sprung on his feet like a startled lion, spurning from him as he rose the foot-bearer, who rolled at some distance on the floor. “Priest,” he said, “hast thou read that accursed scroll fairly? for if thou hast added, or diminished, one word, or one letter, I will have thine eyes so handled, that thou shalt never read letter more!”
The monk replied, trembling, (for he was well aware that the sacerdotal character was not uniformly respected among the irascible Welshmen,) “By the oath of my order, mighty prince, I have read word for word, and letter for letter.”
There was a momentary pause, while the fury of Gwenwyn, at this unexpected affront, offered to him in the presence of all his Uckelwyr, (i.e. noble chiefs, literally men of high stature,) seemed too big for utterance, when the silence was broken by a few notes from the hitherto mute harp of Cadwallon. The Prince looked round at first with displeasure at the interruption, for he was himself about to speak; but when he beheld the bard bending over his harp with an air of inspiration, and blending together, with unexampled skill, the wildest and most exalted tones of his art, he himself became an auditor instead of a speaker, and Cadwallon, not the Prince, seemed to become the central point of the assembly, on whom all eyes were bent, and to whom each ear was turned with breathless eagerness, as if his strains were the responses of an oracle.
“We wed not with the stranger,”— thus burst the song from the lips of the poet. “Vortigern wedded with the stranger; thence came the first wo upon Britain, and a sword upon her nobles, and a thunderbolt upon her palace. We wed not with the enslaved Saxon — the free and princely stag seeks not for his bride the heifer whose neck the yoke hath worn. We wed not with the rapacious Norman — the noble hound scorns to seek a mate from the herd of ravening wolves. When was it heard that the Cymry, the descendants of Brute, the true children of the soil of fair Britain, were plundered, oppressed, bereft of their birthright, and insulted even in their last retreats?— when, but since they stretched their hand in friendship to the stranger, and clasped to their bosoms the daughter of the Saxon? Which of the two is feared?— the empty water-course of summer, or the channel of the headlong winter torrent?— A maiden smiles at the summer-shrunk brook while she crosses it, but a barbed horse and his rider will fear to stem the wintry flood. Men of Mathravel and Powys, be the dreaded flood of winter — Gwenwyn, son of Cyverliock!— may thy plume be the topmost of its waves!”
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